miƩrcoles, 8 de diciembre de 2010
Film Theory: Adaptation
Most films are adpated from books. This is a very hard and important process in which the screenwriter sometimes has to make shorter a 4 days book into one hour and a half of cinema action. As you can imagine, this needs a great knoledge of the book and the audiences to which it will be directed
Movie Review: Up
Today I will talk about a great Disney-Pixar movie named Up. This movie was directed by Pete Docter and Bob Peterson. The story is about a 78-year-old man named Carl Fredricksen, who sets out to fulfill his lifelong dream to see the wilds of South America. Right after lifting off, however, he learns he isn't alone on his journey, since Russell, a wilderness explorer 70 years his junior, has inadvertently become a stowaway on the trip.
This movie is a great family tale which also explores life and death, being a special film because of this particularity. This film won an Oscar for Best Animated Feature and the soundtrack, made by Michael Giacchino, is a masterpiece that gets to the heart of audiences. This is definitely a must watch
This movie is a great family tale which also explores life and death, being a special film because of this particularity. This film won an Oscar for Best Animated Feature and the soundtrack, made by Michael Giacchino, is a masterpiece that gets to the heart of audiences. This is definitely a must watch
jueves, 25 de noviembre de 2010
Film Theory: Alan Smithee Film
Is the pseudonym used by directors who refuse to put their name on a film and want to disassociate themselves, usually when they believe their control or vision has been co-opted by the studio (i.e., the film could have been recut, mutilated and altered against their wishes); aka Alan Smithee Jr., Allan Smithee, or Allen Smithe.
Example: Examples: Death of a Gunfighter (1969), Let's Get Harry (1986), The Shrimp on the Barbie (1990), and the last film with the ironic alias: An Alan Smithee Film: Burn, Hollywood, Burn (1997).(This movie was really directed by Arthur Hiller.
Film Review: Red
jueves, 11 de noviembre de 2010
Film Theory: Why the Oscar is named Oscar
According to one biography of Bette Davis, it says that she named the Oscar after her first husband, band leader Harmon Oscar Nelson. But, one of the earliest mentions in print of the term Oscar dates back to a Times Nagazine article about the 1934 Academy Awards and Bette received the award in 1936.
Walt Disney is also quoted as thanking the Academy for his Oscar as early as 1932. Another claimed origin is that the Academy's Executive Secretary, Margaret Herrick, first saw the award in 1931 and made reference to the statuette's reminding her of her "Uncle Oscar" (a nickname for her cousin Oscar Pierce).
domingo, 7 de noviembre de 2010
Film Theory: Over the Shoulder Shot
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